No events, no dialogue — four seasons pass in Voicemail's 'Will you look at me'

In three lines

• The official music video for Voicemail's 'Will you look at me' went up on the NONOL channel on August 5, 2026.
• The visuals were made with generative AI; the music and vocals are the originally performed and recorded track.
• The song itself is the title track of NONOL VOL 52, released January 16, 2025.

The song is from 2025; the video is from 2026

There is a gap built into this music video.

Item	Detail
Artist	Voicemail
Song	'Will you look at me'
Original release	January 16, 2025
Album	Title track of NONOL VOL 52
Music video	Released August 5, 2026
Length	3 min 58 sec

A video has been attached to a song a year and a half after the fact. That isn't a play for release-day momentum.

Leave a gap like that and the video stops being promotion and becomes interpretation. It arrives after the song has already gone around once and settled. It is closer to making you look again at something you already know.

The single carries three songs. Besides the title track there are 'We Only Have Each Other' and 'Last Goodbye', both in NONOL Live versions.

Four minutes with nothing happening

There are no events and no dialogue. Only the seasons pass, four times.

It starts in a spring alley and ends on a winter riverbank. In between, two people walking side by side is the whole of it.

Choosing not to put a story in is the riskier option — there's no incident to hold you for four minutes. But for a song like this one, which sings a state rather than an event, it fits. This isn't a song about something happening; it's a song hoping things stay exactly as they are.

The line "will you look at me always, just like now" sits right there. Just like now means not wanting anything to change. A video with no events is that line carried across intact.

Saying up front that it was made with AI

The video description puts it plainly: the visuals were made with generative AI, and the music and vocals are the originally performed and recorded track.

The order of that sentence matters. What was made by AI and what was done by people are written separately. It isn't lumped together.

In music, this distinction is going to be needed more often. Visuals-only AI, backing-track-only AI, and AI down to the vocals are three different stories. Write 'AI' as one word and that difference disappears.

The same message is laid over the frame itself — that with no budget and no set, just them, they used a new toy called AI to paint the scenes they couldn't fully show. A tool used to make something that otherwise wouldn't have been made.

Disclosing it up front changes what a viewer measures. Instead of hunting for awkward fingers or backgrounds that don't line up, you end up looking at what remains once you already know. Not hiding it works in the video's favour in the end.

Today, like this

Watch this one through once without sound first. With nothing happening on screen, audio makes it easy to skim the images.

Turn the sound on for the second pass. You'll see where the season changes line up with the structure of the song. In a video with no events, that overlap is the only event.

A 19-second short went up alongside it — the one where they both have to go home and neither gets up. If you don't have four minutes, start there.

A new song has arrived at the playground today.