It opens on the end credits and closes in the seat beside you — BILY ACOUSTIE's full NONOL STAGE set
Four songs. The first one is named after the thing that rolls up the screen once a film is over.
In three lines
- BILY ACOUSTIE's full set is now up on NONOL STAGE.
- The four songs are 'Credits', 'Seoseohi Gadeukhi (서서히 가득히)', 'Saenggakboda Gipi (생각보다 깊이)' and 'Yeope Isseulge (옆에 있을게)'.
- The title of the opening song points at an ending.
The order of the four songs
| Order | Song |
|---|---|
| 1 | Credits |
| 2 | Seoseohi Gadeukhi (서서히 가득히) |
| 3 | Saenggakboda Gipi (생각보다 깊이) |
| 4 | Yeope Isseulge (옆에 있을게) |
It starts where things end
'Credits' is the list of names that rolls after a film is over. It's the time that comes after the story.
About this song, the artist said it's "a story that starts again once the music stops and the lights go out." It holds the scene you only come face to face with after every light on the stage has gone dark.
So the first song of the set is placed where things end. Usually it runs the other way: you open with an opening song and close with a closing one. Here the ending is set down first, and the set begins from there.
The middle two are adverbs
'Seoseohi Gadeukhi' and 'Saenggakboda Gipi'. Both titles are built out of nothing but adverbs — "slowly, fully" and "deeper than you'd think." Neither one tells you what is slowly filling up, or what runs deeper than expected.
An adverb needs a verb to lean on. Take the verb away and leave only the adverb, and the sentence stays unfinished. The listener ends up filling in that verb on their own.
And both pairs point at degree. Speed (seoseohi) and amount (gadeukhi); the gap from what you expected (saenggakboda) and depth (gipi). They don't say what is happening, only how much of it is.
A promise at the end
'Yeope Isseulge' is different from the three before it. It's a finished sentence with a subject and a predicate — I'll be next to you. And it's in the future tense.
You start at the ending ('Credits'), pass through two songs that speak only in degrees, and a promise arrives last. Arrange it that way and the closing song sounds like a conclusion.
BILY ACOUSTIE debuted in 2013 and has since released songs including '소란했던 시절에 (Soranhaetdeon Sijeore)', '보통의 겨울 (Botongui Gyeoul)' and '니가 미치도록 사랑스러운건지 (Niga Michidorok Sarangseureoungeonji)'.
How to listen today
Play the first song twice. Once at the top, and once after you've heard all four. When a title that points at an ending sits at the very front of a set, it lands differently the second time around.
For the middle two, try filling in the missing verb yourself. There's no right answer.
A new song has arrived at the playground today.
빌리어코스티BILYACOUSTIE노놀스테이지라이브풀버전
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The NONOL Magazine editorial team — we hear it first, then pass it on.
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