
Hooked on ease, then off to look for love — Jueun's full session
Four songs. The titles are all either a state or an action.
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Four songs. The titles are all either a state or an action.
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Four songs. Every title lives in a different world.
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Four songs. The last title calls holding your breath a game.
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Four songs. The first is a vehicle and the last is a manner.
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Four songs. The first and the last both belong to the night.
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Four songs. The season appears in two of the titles.
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Four songs. Every title is something people actually say.
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An alternative rock band. Four songs run in one direction.
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Four songs. The last title is a sound that isn't spoken aloud.
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Four songs. The first and the last both come from nature.
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It's an R&B set. Every song title is a short English word.
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The gaps between songs aren't cut out. Those gaps are half of this session.
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Four digits are the song's name. Only the person singing knows what they mean.
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Three songs from one band across three days. Today is the last.
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Yesterday was the quiet side, so today is the running one.
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A band known for youth rock, turning the volume down.
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The final song from the same session. An acoustic line that spreads like the smell of coffee.
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The third song from the same session. This time it's addressed to yourself.
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After Coconut juice, from the same seat, a quiet one this time.
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Last time we played four songs at once. Today, just one of them — properly.
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One guitar and a voice. Four songs that linger longer precisely because they aren't flashy have arrived at the playground today.
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The full NONOL LIVE set. Five songs in a row, starting with '슬픈 눈'.
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In the hour when the heat settles, a handful of the playground's quiet stages.
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From 'Coconut Juice' to a quiet confession — the afterglow left at the playground.
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The title stage from NONOL VOL. 89, carried on a ukulele.
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A soft confession, settling down over an acoustic sound.
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A message of self-care, carried on a gentle folk sound.
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